Movies about Magicians & Magic
Lights, Camera, AbraCadabra: Setting the Stage
magician moviesCinéma de Sorcellerie
There has been a sudden influx of magically themed films. Of course, there are the obvious fantasy fare like Lord of The Rings and Harry Potter, but the dark film Prestige has one of the best turns ever in a movie. The Illusionist debuted after The Prestige and was still quite good.
🎥 33 Magic Magician Movies 🎬
The Silver Screen's Most Spellbinding Films
Magicians (2007)
When competing in a magic competition, two competitive stage magicians are compelled to address their falling out over a guillotine mishap.
Because Magicians is a comedy, and not a historical drama like The Illusionist or The Prestige, Magicians doesn't really care about magic.
Mitchell and Webb, the stars of the cult television series Peep Show, made their film debut with Magicians.
Magicians is a hilarious movie. The movie itself is entertaining, though it can be hit or miss at points.
What makes this movie exceptional are the two actors that play the leads, David Mitchell and Robert Webb. They are both skilled comedians, and any scene they share in the film is a true blessing since they have some hilarious scenes together. They appear to function exceptionally well on both the big and small screens. The two are incredibly skilled, so they may just be able to hit big in the movie industry. With a few more films under their belts, they may even end up being comic icons.
The supporting cast pose a danger to the two leads' ability to carry the entire film. As the dippy assistant, Jessica Stevenson makes for enjoyable viewing and is given some of the better scenes in the picture. My personal favorite is a dance scene that is genuinely entertaining to watch. The character of the compère of the magic show, played by Peter Capaldi, was so masterfully crafted that it made the actor run over the hills with the film. As Webb's agent, Darren Boyd plays an important part as well.
Magicians has outstanding performances and ought to take Mitchell and Webb's career to new heights.
The Great Kandinsky (1995)
Kandinsky, a once-famous escape artist and magician, is now reduced to perplexing the staff and residents at his retirement home. His only regret in life is that he never mastered the underwater escape.
The death of a friend propels him into the world, where he seeks out his old colleagues, particularly the Professor, his old teacher, in order to learn the secret of the escape.
But the Professor is a master escapologist, and Kandinsky will have his work cut out for him to pry the information from him. Meanwhile, his fellow inmates at the retirement home prepare for Kandinsky's triumphant return.
The Escape Artist (1982)
Danny Masters, a teenager who is already a brilliant but unproven magician, wants to follow in the footsteps of his late father Harry Masters, who is regarded as the second-best escape artist in history. As far as Danny is aware, his father perished during a risky escape maneuver.
When Danny manages to get out from under his grandmother's roof, he rejoins his aunt Sibyl and uncle Burke in the town of Harding where they have a mind-reading act, she who actually has the ability to read minds but which only affects the smoke and mirrors they've developed with the act itself. They have all of his father's old professional paraphernalia.
Danny becomes entangled with corrupt Stu Quiones during his wanderings around Harding, and indirectly with Leon Quiones, the town's mayor, who is also corrupt. Although Stu desires to be just as crooked as his father, his activities are a little too outlandish and visible for a politician to deal with, so the father and son no longer hang out together. In those transactions, Danny comes up with a plan that is primarily perceived as a publicity hoax in actuality, but in which he will have to demonstrate his true mettle as a brilliant escape artist. Danny may possibly do his father's death some justice in the process after learning the exact circumstances of his death along the route.
The Illusionist (Animation, 2010)
Unemployed and moving to Scotland, a French illusionist encounters a young woman there. The subsequent adventure forever alters both of their lives.
The Illusionist, a film based on an unfinished script by Jacques Tati, follows a fading form of illusionist magician named Tatischeff. He starts accepting any job that presents itself, and even while in Scotland, he travels with a young girl by the name of Alice. Tatischeff and Alice form a resemblance of a father-daughter relationship while Tatischeff also reflects on his own life.
The Triplets of Belleville, an animated art-house movie from 2003, is undoubtedly Sylvain Chomet's best-known work. The Illusionist has a few lines of conversation, but for the most part, it depends on animation, body language, and a straightforward but exquisite musical score composed by Chomet himself to tell its story.
The Illusionist is unquestionably the most beautiful of any other 2010 films. The actions of the characters are fluent and natural, while the cityscape and the surrounding hillsides serve as excellent instances of art direction. I nearly had to hold back my tears.
The Illusionist may not be your favorite movie, but I doubt there is another one more visually stunning than this one.
An Honest Liar (2014)
The life and career of James Randi, a former stage magician who is now a scientific skeptic of the paranormal. A documentary, "An Honest Liar" (2014 release; 95 minutes) is about James "The Amazing" Randi, a magician and escape artist in the mold of the iconic Houdini. Like Houdini, Randi subsequently turns into a ferocious adversary and prosecutor of people who deceive the public and exploit it for their own financial and personal advantage (such as the so-called faith healers and those who proclaim to channel the dead).
A couple of remarks: Justin Weinsteiny and Tyler Measom (formerly of "Sons of Perdition") co-directed this documentary (previously of "Being Elmo"). We learn a little bit about Randi's history early on in this documentary. After watching a magician's performance in Toronto at the age of 17, James Randi dropped out of school because he wanted to be "the next Houdini." Randi certainly established a successful career (there are multiple clips from the Tonight Show starring Johnny Carson). However, once Randi decides (in the 1980s) to focus his efforts on outing the cheaters and manipulators, things get more fascinating. The investigation of self-styled spiritual healer Peter Popoff is outstanding (and stunning). Randi yells, "We're fighting the fakers!"
Magic Man (2010)
Tatiana, a stunning ambitious young magician, and her best friends, Elena and Vera, fly from New York to Las Vegas to see Krell Darius perform his internationally renowned magic performance. The shadowy windows into Tatiana's history appear as the layers of deception do.
The Mad Magician (1954)
When his rival steals his best-kept magic secrets, an illusionist goes murderous.
The legendary Vincent Price starred in several excellent horror movies, some of which rank among the best examples of the genre ever made. Without a doubt, Price's best work came in the 1960s, with movies like Michael Reeves' "Witchfinder General" (1968) or Ubaldo Ragona's "The Last Man on Earth" (1964) serving as the pinnacle of this brilliant actor's career.
Roger Corman's brilliant Poe-cycle is still regarded by many as the greatest Horror cycle of all time. But the movies that made him famous and turned him into the timeless horror icon that he is began to appear in the 1950s, with "House of Wax" (1953) serving as the catalyst for his ascent to fame. The 1954 film "The Mad Magician" has a plot that is similar to that of its popular predecessor.
Still, the movie is a unique, wonderfully macabre, and utterly sublime masterpiece.
Price plays Don Galico, sometimes known as Galico the Great, a great magician and manufacturer of magic tools whose wife (Eva Gabor), who was the boss of a sleazy businessman, was stolen from him by his boss. When Galico's boss steals one of his brilliant inventions and hands it to his rival, The Great Rinaldi (John Emery), Galico loses it and goes on a violent rampage in retaliation.
This earlier picture in Vincent Price’s horror career is further evidence that no one seeks revenge like Vincent Price does. Some of his most well-known and greatest films, such as "The Abominable Dr. Phibes" (1971) and "Theater of Blood" (1973), were about ludicrous and deliciously macabre revenge killings.
Price is given a fantastically bizarre leading part in this movie, which promises any horror fan 70 minutes of hysterically hilarious and macabre pleasure.
Penn & Teller Get Killed (1989)
In this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos, the "bad boys of magic" go over the edge.
The movie Penn and Teller Get Killed isn't exactly a triumph of expert filmmaking. If you enjoy Penn and Teller, you'll like the movie. If not, you probably won't. The main purpose of the film is to let Penn and Teller do their routines and exhibit their distinctive style, which has just as much to do with their attitudes as it does with their "magic."
Having said that, the story is engaging enough, and the movie is more than just a vehicle. The fact that the movie actually reflects their dark sense of humor may be its strongest aspect. It's not just "Penn and Teller perform some magic with a plot stitched on." It's exactly what you'd anticipate if someone gave these two carte blanche to direct a film. The movie is classic Penn and Teller: it goes inside your skull, turns things around, smashes some stuff, and departs with a smile as you struggle to figure out what to do with the mess.
The Great Magician (2011)
To persuade a recalcitrant concubine, a Chinese warlord engages a conjurer. This story of intrigue and deception is led by Tony Leung Chiu Wai (Hero, Infernal Affairs, Lust Caution, 2046), one of the best actresses in cinema, and Xun Zhou.
A mystery magician returns from Europe to a China that is unstable and in chaos on the social and political fronts. A political plot to reinstate the Qing Dynasty, which was overthrown by the Revolution of 1911, is going on in the backdrop. A journey to recover a lost love is underway among this.
This romance combines politics, vaudeville, and magic.
Presto (2008)
The rabbit of a stage magician engages in a magical on-stage altercation with his inattentive guardian wearing two magic hats. Every time Pixar releases a new animated feature, a short cartoon is sent along with it. The movie that goes with WALL-E is Presto, a silent movie.
The fact that WALL-E is mostly silent-era in style has contributed significantly to its buzz. The story Presto, on the other hand, is about a stage magician, his carrot-crazed rabbit, and a genuine item of magic: a top hat attached to a dunce cap. The magician has the ability to reach inside the top hat and draw items from the fool's cap. The rabbit, which resembles the one in the Trix cereal ads, is irritated that he isn't receiving any carrot, so he sabotages the act in a number of hilarious ways by leveraging the logic of the set-up, as is customary.
A tremendously entertaining cartoon, and Pixar deserves praise for maintaining the quality of its short subjects by cultivating animation talent.
Death Defying Acts (2007)
Harry Houdini (Guy Pearce) engages in a passionate relationship with a psychic who is trying to defraud him while on tour in Britain in 1926.
This is not a movie about Houdini, hence there is no justification for it to vividly depict the artist's incredible acts and abilities. This movie is merely a testament to the way its characters live their lives, and that is sufficient to make a movie meaningful. The Illusionist has more rich detail and is therefore superior to The Prestige, a movie that has too much magical 'action' but no depth to the people or the plot, like an eggshell without the yoke. Death Defying Acts is a passable movie with well-made, well-presented, well-acted performances (with the exception of Catherine's occasionally "artificial" acting), and a strong score.
The Wizard of Gore (1970)
A TV talk-show presenter and her boyfriend look into a sketchy magician who uses his mind-bending abilities to captivate and command audience members' minds in order to produce bloody on-stage illusions.
The majority of the characters are unpleasant and unnecessary and the plot meanders. However, in the universe of Herschell Gordon Lewis, this is irrelevant. One of the most idiotic, absurd, unsettling, and hilarious movies I have ever seen in my entire life is without a doubt this one. When you witness victims being chainsawed in half, having swords forced down their throats, being killed with punch presses, and other horrifying acts, you'll find yourself laughing aloud while throwing up. Things this absurd only occur in the realm of film. Apart from the blood and guts, Montag The Magnificent, the film's diabolical antagonist, is what sets it apart. The worst actor of all time is Ray Sager. His presence had an unnatural creepiness to it, yet it also made me chuckle the entire time I watched it. A very original horror movie that should be seen by anyone who likes horrible movies or just wants to be horribly creeped out and have nightmares.
Eternally Yours (1939)
Arturo the magician sweeps Anita Halstead off her feet, but she thinks the effects are less than amazing.
A successful magician and a bishop's granddaughter fall in love in this charming classic comedy. Despite not being a conventional screwball comedy, it nonetheless exudes the classic charm of the 1930s. The characters interact with one another naturally and their relationships develop magically. It's a marriage and divorce movie as well, and it does it in a way that I think is exceptional for the era. The film is full of amusing and touching moments in the style of movies like Ernst Lubitsch's Bluebeard's Eighth Wife. As the performance draws to a close, the magician is about to perform one of his riskiest tricks, and his helper wants to stop him before he ends up dead. “Arrest him, he's a communist,” the magician orders the cops to take the assistant away from him.
Now You See Me (2013)
Jesse Eisenberg and Woody Harrelson reunited after Zombieland to star in one of the weirdest movies in recent memory. Now You See Me revolves around four magicians who call themselves the Four Horsemen and pull off elaborate heists in the hopes of getting into an order of “actual magicians” called The Eye. The film features many great sleight-of-hand tricks and blink-or-you’ll-miss-it moments.
Leterrier's modern heist film takes place in a world of magic and deception. Four magicians (one mentalist, played by Woody Harrelson) are brought together to perform as "The Four Horsemen," during which they commit enormous heists and then shower the crowd with money. The film toes the line between illusion and "real" magic, but it's an entertaining and flashy voyage through Vegas' grand illusion acts.
What distinguishes the movie Now You See Me is its fresh concept of what illusion can be in the twenty-first century. Instead of wasting time retreading centuries-old illusions, the thought behind some of the illusions in this film, while initially appearing to be technically impossible or even remotely doable, demonstrate how magicians must always challenge themselves to push the boundaries of their art.
Practical Magic (1998)
Forget for a moment that Nicole Kidman participated in the terrible Nora Ephron Bewitched remake; there was a time when she portrayed a witch in a Speed 2: Cruise Control-fresh performance. In the romantic comedy Practical Magic, Sandra Bullock.
Practical Magic, which is based on the same-named book, tells the tale of two sisters who have magical abilities and a curse that causes any man to fall in love with them to pass away. Even the most jaded cynic will find something to enjoy in the film's abundance of spells and hexes.
While by no means a masterpiece, the movie successfully employs magic to convey a compelling and delightful love story.
The Witches of Eastwick (1987)
Starring Jack Nicholson, Cher, Susan Sarandon, and Michelle Pfeiffer, The Witches of Eastwick is one of my favorite films about magic.
When a strange and flamboyant man enters the lives of three single ladies in a charming village, their wishes are achieved, but at a cost.
Willow (1988)
Although it is not based on the Buffy the Vampire Slayer Wiccan, Ron Howard's Willow has its own qualities. The fantasy picture stars Warwick Davis as Willow, a farmer who must look after a youngster who is destined to battle the evil Queen Bavmorda.
Willow learns to control his sorcery on his adventure, with the help of broonies, fairies, and Val Kilmer as the swordsman Madmartigan. Willow, now more confident, beats Bavmorda and learns that good wins over evil—after all, this is a fantasy film.
The film was not well regarded at the time, but it has since gained cult status. It's a fantasy match made in heaven, with a score by James Horner and effects by ILM.
Lord of Illusions (1995)
The work of Clive Barker ranges from horrifyingly hideous and horrible to merely somewhat unsettling and slightly disgusting. His films Nightbreed and Hellraiser are among the best in the horror genre. The 1995 film Lord of Illusions is one of his less well-known adaptations. The movie featured Scott Bakula as the famous Harry D'Amour created by Barker, who made his screen debut here.
The Puritan is a character in Barker's film about a man with pure magic abilities. Before learning there is much more to the mystery than first appears, Detective D'Amour accepts a case involving a deceased psychic. The movie features stunning practical effects and make-up, as well as magic that only Barker could have imagined.
Hocus Pocus (1993)
The Sanderson Sisters are some of the most well-known characters in Halloween films. The witches, played by Sarah Jessica Parker, Bette Milder, and Kathy Najimy, all want to be young and lovely again.
Hocus Pocus is an excellent Halloween film for children of all ages. It's difficult not to smile when watching the video, which is filled to the brim with elaborate costumes, goofy spells, and buck teeth.
The performances are perfectly campy, but they work best with a sense of nostalgia. Fans of Sabrina the Teenage Witch or Halloweentown will not be let down. As an added bonus, viewers will hear Bette Milder perform "I Put a Spell on You."
Stardust (2007)
Stardust isn't just another film about a trio of witches who want to stay beautiful; there's also a pirate (Robert de Niro), unicorns, and a star embodied as a lady in Matthew Vaughn's adaptation of Neil Gaiman's novel (Claire Danes).
The plot revolves around a man named Tristan Thorn, played by Charlie Cox from Daredevil, who falls in love with the star and takes control of his own fate.
The Illusionist (2006)
Though Edward Norton and Jessica Biel couldn't save this film from being eclipsed by a stronger 2006 film about magicians, The Illusionist isn't a bad film; in fact, it's rather terrific.
The film is set in nineteenth-century Vienna and depicts the narrative of the illusionist Eisenheim and his journey to be with his true love, Sophie. Their love is illegal since Sophie is a duchess and Eisenheim is a peasant, and Sophie is slated to marry the horrible Prince Leopold. The lovers devise a scheme to employ illusionary powers to liberate Sophie from her scheduled marriage and the city of Vienna under Leopold's reign.
The Illusionist contains amazing magic scenes ranging from standard stage shows to conjuring dead spirits. The CW planned to convert the film into a TV show, however there have been no updates since 2014.
The Witch (2015)
The Witch, Robert Eggers' directorial debut in 2015, has been hailed by horror fans as a modern-day classic, with a distinctly dark take on magic and witchcraft. Magic, as seen through the eyes of a fanatically devout seventeenth-century family, is presented in The Witch as an omen of death and horror.
Much of the film pushes viewers to consider if the events taking place are actual or the result of religious zealotry, yet the film's occult occurrences are absolutely real. It's a long cry from the homey depictions of magic seen in most films, but it's a must-see nevertheless.
Pan's Labyrinth (2006)
Guillermo del Toro's 2006 Spanish-language dark fantasy picture Pan's Labyrinth twists traditional magic themes into something entirely nightmarish. It relates the story of a little girl who is challenged by supernatural beings with completing three trials in order to earn her place as a ruler of the Underworld during the Spanish Civil War of the 1940s.
Pan's Labyrinth, often compared to The Chronicles of Narnia, tackles the corrupting influence of violence and hatred on the pure-hearted, and, unlike many films with distinct fairy tale aesthetics, the film opts for an ending that is both beautiful and melancholy.
The Craft (1996)
The Craft, one of the most popular movies about witches since the 1980s (and there were a lot), is notable for its realistic portrayal of the consequences of spell-casting. While every film about witches is certain to include a morality tale, The Craft is not afraid to go dark and stay there.
The film follows the narrative of four high school girls who have remarkable powers and includes curses, spells, and more than one murder. This adolescent coven is not to be trifled with. The Craft is a tremendous blast, with hilarious performances and effects, as well as a fantastic soundtrack. It was a smashing success, raking in $55 million on a mere $15 million investment.
Labyrinth (1986)
Labyrinth is an unquestionable fantasy masterpiece that combines the finest of what the 1980s had to offer. The film is visually stunning, with David Bowie as Jareth the Goblin King, fascinating puppets from Jim Henson Creature Shop, and stunning settings. The magic in Labyrinth could only have originated from Jim Henson's thinking. Hoggle and Sir Didymus the charming fox-knight are both extremely memorable and completely functional puppets. In truth, Bowie and Jennifer Connelly as Sarah are the sole human players in the dream universe.
The novel, which follows Sarah on a coming-of-age adventure to save her infant brother Toby from the terrible Goblin King who has kidnapped him, is full of mythical monsters and puts its heart on its sleeve. David Bowie is, of course, fantastic; the film would be nothing without him.
Spirited Away (2001)
Spirited Away by Hayao Miyazaki tells the story of Chihiro, a little girl lost in the spirit world. After the witch Yubaba turns her parents into pigs, Chihiro must labor in her bathhouse to liberate her family and return to the human realm.
The English-language version of the film was spearheaded by Pixar's John Lasseter. In Japan, it surpassed Titanic as the highest-grossing film of all time, and it went on to win the Academy Award for Best Animated Feature. Shikigami (ghosts), dragons, witches, and No-Face, a creature who eats people, occupy Chihiro's liminal voyage through the spirit realm.
The gorgeous animation raises the straightforward Alice-in-Wonderland plot above comparable retreads. The film is incredibly magical, and it is one of Studio Ghibli's greatest.
Harry Potter and the Prisoner of Azkaban (2004)
The only Harry Potter film that does not feature Lord Voldemort is widely regarded as the best. Prisoner of Azkaban, directed by Alfonso Cuaron, was the first of the eight films to portray Hogwarts students dressed outside of their robes. It also significantly increased the stakes for the characters, resulting in a more darker universe than before.
Rowling's already vast magical mythology is expanded by the dementors and their lethal kiss, the heroic gigantic Hippogriff, and a professor with a full-moon problem. Gary Oldman's casting as Sirius Black was a wise one, and the young Daniel Radcliffe, Emma Watson, and Rupert Grint all show gradual progress in their performances.
The Prestige (2006)
Despite the fact that there is no real magic in the film — just magic tricks — The Prestige is by far the most awe-inspiring film on the craft. Following his introduction to Batman in Batman Begins, Christopher Nolan collaborated with Christian Bale once more in this 2006 film. The Prestige, which outperforms The Illusionist in almost every way, follows the story of competitive magicians and their ambition to pull off the greatest trick. There are very emotional and highly cerebral moments in the film, which stars Bale, Hugh Jackman, Scarlett Johansson, Michael Caine, and David Bowie.
The Prestige, the second film to be released in the 2006 war of "magic themed movies set in Europe at the end of the nineteenth century," easily wins. The magic in Nolan's film is considerably more grounded in reality than in the fantasy adaptations of The Illusionist. The Prestige follows two dueling magicians as they compete with illusions dubbed "The Transported Man" and "The New Transported Man." The illusion requires two doors on stage that are separated by a considerable distance. The magician bounces a ball, walks through one door, and returns in time to catch the ball. Even today, the illusion would be astounding to witness in front of an audience, and the mechanism, as is often the case, is far easy than one might assume. The Prestige is a terrific magic movie you should see, with powerful performances by Christian Bale and Hugh Jackman, as well as an appearance by David Bowie as Nikola Tesla, and an unique screenplay loaded with multiple twists and turns.
The narrative twists and turns are among Nolan's best, and the various scenes of magic with sleight-of-hand and escape artistry rank far above most films starring magicians. Caine's statement about how magic works to deceive the audience remains the best example of the art form.
Terror Train (1980)
Terror Train, a clichéd slasher film in which a mysterious killer pursues college students on a train (I'm serious), enters the list only because the train's onboard entertainment is a magician, initially referred to as "The Magician." Cast David Copperfield (yes, THE David Copperfield) as The Magician, and you've got yourself a movie.
David Copperfield and his butterfly-collared tuxedo shirt conduct card manipulations, levitate a lady, and float a rose for a swooning Jamie Lee Curtis in this flick. Even if the rest of the picture is tacky and badly handled, it's worth seeing for some classic Copperfield.
Houdini (1953)
This biopic of the famed magician is well-known for taking liberties with the "facts" of Houdini's life. See how the Water Torture Cell featured in the film varies from reality in our Top Magic Tricks of All Time list. The film stars real-life couple Tony Curtis and Janet Leigh as Harry and Bess Houdini, and brilliantly and convincingly captures the Houdinis' love with one another. While much has been said about the film's historical mistakes, the fact remains that Houdini would have approved. Because Houdini was a self-created and self-curated larger-than-life myth, a film that twisted the reality about his life would have only added another layer of mystery to the plot.
The Grim Game (1919)
While we're on the issue of Houdini building his own mythos, the role of movie star should be included. Not content with becoming the best magician in the world, Houdini set out to dominate other industries as well, including being the first person in Australia to do a controlled powered flight. Houdini set his sights on the cinema, believing that his celebrity would convert immediately into box office success. He originally appeared as Quentin Locke in the serial The Master Mystery in 1918 (since Houdini was an escape artist, get it? ), but watching all fifteen episodes is a grueling marathon to endure. If you want to see Houdini on the big screen, you should see The Grim Game. Long considered to be lost, a print was discovered, restored, and screened in 2015.
The film is famous for the unscripted midair crash of two planes, which luckily was an accident and everyone miraculously escaped. You may want to skip ahead to minute 1:28 in the above video.
Ansiktet - The Magician (1958)
Ingmar Bergman's film The Magician, known in the United States as The Magician, deals with the perception of illusions and raises intriguing concerns about magic and reality. Even today, some people watch illusions and quickly assign supernatural abilities to the performer. Others want a scientific explanation for what they're seeing.
Bergman's film investigates the frequently hazy lines that separate illusion, science, magic, and reality, as well as what occurs when our fundamental assumptions about the definitions of any of these aspects are challenged in any way.
The Incredible Burt Wonderstone (2013)
While the comedy in this movie never appears to appear, it is significant for highlighting a shift in the magic world that many actual performers have had to traverse. The plot revolves around a famous magician who has made his career by doing a "traditional" magic show and what happens when a younger magician emerges on the scene with an edge and modern performance style.
The motion picture replicates many of the complaints heard when magicians such as David Blaine and Criss Angel rose to prominence, as well as seeks to address issues that artists have faced throughout history, such as "how do you preserve creative significance in a continually changing society?"
Hugo (2011)
Scorsese's film is based on Brian Selznick's massively successful 2007 novel, The Invention of Hugo Cabret, and follows a small child who lives at a train station and befriends the legendary filmmaker and magician, Georges Méliès (Sir Ben Kingsley). The film's production design and cinematography are noteworthy. The picture also includes the automaton, which was a common part in late-nineteenth-century illusion shows.
Automatons were complicated mechanical constructs that were frequently presented as "characters" that could write, draw, anticipate, and even appear to bake special cakes chosen by the audience. Automatons remind us of how technological may be magical, and Scorsese does an excellent job of demonstrating this in his film.
Harry Potter Movies (2001, 2002, 2003, 2005, 2007, 2009, 2010, 2011)
It would be tough to compile a list without mentioning Harry Potter's impact on the world of magic. Yes, this eight-film series does indeed present audiences with imaginary magic. Yes, if you paid top bucks to see a magician in Vegas stand on stage with a magic wand, uttering spells like "Expecto Patronum," you'd be terribly dissatisfied if nothing, or very little, happened. The truth is, J.K. Rowling's Harry Potter universe reawakened the interest in magic in millions of children around the world. Many midnight book release parties had magicians performing for children and their parents waiting in line, bridging the gap between the fictional and the real. Harry Potter is responsible for introducing magic and its possibilities to a whole new generation.
The Conjuring of a Woman at the House of Robert Houdin (1896)
Original Title: Escamotage d'une Dame au Théâtre Robert Houdin
In just over a minute of screen time, Georges Méliès brings magic into the twentieth century while simultaneously laying the groundwork for cinema editing and special effects.
Méliès steps onto the stage and acknowledges the audience in the short film. He invites a lady (Jehanne d'Alcy) to the stage. Méliès places a newspaper on the ground and a chair on top of it to illustrate that no trapdoors are employed. He has d'Alcy sit in the chair and covers her with a huge cloth with care. He removes the cloth to reveal that she has vanished. While the jump cut utilized to create the illusion is clear to modern audiences, audiences in the late 1800s were shocked.
Méliès basically invented a new methodology for a de Kolta chair (see our list of the Top Magic Tricks of All Time), opening up an altogether new arena of possibility for the intersections of technology and magic.
Fade Out: The Final Disappearing Act
The world of magic has made a lasting imprint on the silver screen.
From tales of grand illusions to intimate stories of sleight of hand masters, magic continues to weave its spell over audiences, transporting us to realms of the fantastic and the unbelievable. The curtain may be closing on our exploration of these 33 mesmerizing movies about magicians and magic, but remember, in the world of film, magic never really ends.
Magic merely waits for the next play button to be pressed. So why not revisit these cinematic spectacles or discover new ones, and let the magic continue to unfold?
